At Greene Naftali, New York, the artist transforms vintage gay pornography into paintings – to ‘soul-dissolvingly, ...

At Capitain Petzel, Berlin, the artist’s vivid tableaux of exercise and protest convey a sense of motionless uncertainty ...

The New Dehli-based artist’s survey at MoMA PS1, New York, interweaves the autobiographical and the sociopolitical to ...

Inspired by a Maryse Condé novel, this group exhibition at Palais de Tokyo, Paris, asks where and with whom refuge can be ...

Once dominated by sensational headlines and media hype, the competition now faces an existential question about its place in contemporary discourse ...

Artist Nairy Baghramian, Director of the Museum of Modern Art Glenn Lowry and historian Julian Rose all have extensive experience of presenting art in public places and thinking about civic spaces. In ...

‘You have an idea and it goes off in another direction and you either pull it back or you go on the journey. I knew I wanted to make some portraits, but I also knew I didn't want to. I wanted to ...

‘The viewer makes the painting alive. Without the viewer, that thing doesn't exist.’ – Shirazeh Houshiary What happens to our understanding of painting when we expand the canon across eras and ...

‘What’s left for art? Art can offer ritual and ceremony, a communal place where bodies can gather. It’s a place where things can happen visually, musically, sonically, and in dance and with the voice.

Nathalie Du Pasquier, Annabelle Selldorf and Abraham Thomas on art’s encounters with other creative spheres, presented in collaboration with dunhill ...

‘When you make a painting, you want to make a good painting. You are more interested in the composition of the things, than in the precise description of the things.’ – Nathalie Du Pasquier In the ...

‘If I can let the viewer stand in front of my painting and question – if they can ask a question – this is success.’ – Glenn Ligon How does the written and spoken word relate to the visual language of ...