At Capitain Petzel, Berlin, the artist’s vivid tableaux of exercise and protest convey a sense of motionless uncertainty ...
The New Dehli-based artist’s survey at MoMA PS1, New York, interweaves the autobiographical and the sociopolitical to ...
Inspired by a Maryse Condé novel, this group exhibition at Palais de Tokyo, Paris, asks where and with whom refuge can be ...
The director of Castello di Rivoli speaks about sharing institutional resources and relationships with local and ...
We share sustainability guidelines with all Frieze exhibitors, partners, and vendors to ensure alignment and collaboration on ...
A show at the Museo Universitario de Arte Contemporáneo, Mexico City, conjures the spectral presences behind cinematic ...
Once dominated by sensational headlines and media hype, the competition now faces an existential question about its place in contemporary discourse ...
One of the earliest recorded instances of a sculpture taking the piss out of the art world came when Marcel Duchamp submitted a urinal to the first exhibition of the Society of Independent Artists in ...
In the second act of Luca Guadagnino’s Queer (2024) – the beautiful, maddening film adaptation of beat generation legend William S. Burroughs’s 1985 autofiction text of the same name – two men, Eugene ...
The Focus section at Frieze Los Angeles 2025 showcases some of the most innovative and thought-provoking art being made today. Curated for the second time by Essence Harden (co-curator of ‘Made in L.A ...
‘What’s left for art? Art can offer ritual and ceremony, a communal place where bodies can gather. It’s a place where things can happen visually, musically, sonically, and in dance and with the voice.
Nathalie Du Pasquier, Annabelle Selldorf and Abraham Thomas on art’s encounters with other creative spheres, presented in collaboration with dunhill ...